Cultural and philosophical significance in the art of Kuyi
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DOI:
https://doi.org/10.32523/2616-7255-2022-141-4-150-160Keywords:
kuyi; the art of kuyi; cultural heritage; dombra; dombra kuyis; kuyi player.Abstract
The art of kyui has a special place in the development of the spiritual world of the Kazakh people. It is necessary not only to distinguish the stages of spiritual development but also for the future of cultural development, to thoroughly understand the meaning and specificity of this phenomenon, which has its own complex structure and deep mystery. The recognition of kyui art and its cultural features and philosophical thoughts is very important for the permanent strengthening of our modern independence. It is clear that we have the task of recognizing and appreciating the spiritual heritage of the people, training them in the national spirit, and being able to create them for the needs of today's era of democratic social construction. The legends and stories of the Kazakh kyuis are spoken only by research, and not by systematic cultural and philosophical analyses. Because the specificity and breadth of the subject, the complexity of the content of worldly phenomena in the status heritage of the people were considered worthy of special study. The art of folk kui, which occupies a special place in the content structure of Kazakh philosophy, is of great importance in the formation of the national mentality.The art of kuyi is a source in the formation of our national culture. It has become a cultural value of the Kazakh people, contributing to their worldview for this reason. When we analyze the place of musical art in the framework of the cultural development of the Kazakh people, then it is impossible not to mention its national basis and spiritual life. At the basis of this idea are concepts such as self-recognition, feeling, acceptance as a nation. As a result, we recognize the dignity of the nation, its ability to recognize the nature of state art, which has become the core of its spiritual wealth.
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Copyright (c) 2022 Baglan O. Aralkhanov, Abzal S. Sakhov, Saule N. Kurbanbayeva
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.